A little late but that’s better than never, right? ☺
I recently saw an article* about a woman who hand-stitched a Regency ball dress for a ball she was planning to attend in Bath. Her gown is exquisite and took her a mere EIGHT MONTHS to complete. There’s so much to admire in that. ♥
Naturally, that led me to the fashion magazines for today’s post. This opera dress is clipped from La Belle Assemblée, February 1823. I’m so in love with this dress that if I chose to replicate one, it would be THIS GOWN. ♥
No. I.—OPERA DRESS.This elegant dress is formed of Cerulean blue satin, or gros de Naples, with a rich border, composed of satin puffs folded in bias, beautifully finished by broad satin rouleaux, The body is made low, but chastely correct, affording only a partial display of the bust, while the shoulders are covered; a tucker of the very finest specimen of URLING’S PATENT LACE, serves also as a modest shield, and the short sleeves are trimmed next to the elbow, with the same material; these sleeves are formed of bias-folded puffings, to answer the trimming at the border of the dress. The hair is arranged in a peculiar, but very beautiful and becoming manner; it is partly à la madonna, but finishes from the temples in the Sevigné style, and is crowned with an Inca diadem comb of fine pearls, placed in the Peruvian style, very backward. The other jewellery ornaments consist of a double gold chain, with opera class depending, set round with pearls, and pearl ear-rings. The figure represents a lady seated on a Persian lounge, in the opera tea-room, where every part of the dress is displayed to advantage; the shoes are of white satin, and the dress is made rather full, and of a moderate length.**
*Read the article on hand-sewing a Regency gown HERE.
**Clipped from La Belle Assemblée, February 1823, p. 81. Get the Google e-book HERE.
♥Happy reading, writing, and blogging!!♥
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